State of the nation

As ever, lots of things potentially bubbling away. I’m rapidly learning that in the world of film/TV/theatre you’ve got to have as many irons in the fire as you can possibly manage. You never know which one is going to heat up first, and until I score that elusive first credit and establish something of a track record, it is very much a numbers game. I’m also very aware that I haven’t blogged since that post-wedding road trip in August when I left the Midlands, should have headed back east to Suffolk but instead went in the opposite direction and spent most of the day rediscovering the Peak District. Very lucky I did, one village I hadn’t seen since a pony trek when I was about 11 has inspired an idea for a feature film. Also aware that every time I mention something that might be happening on the blog something comes along to scotch it. So I thought I’d throw caution to the wind and tell you what I can about them, the theory being I can’t jinx them all.

First up my lovely agent at Independent, Sarah Williams, has been setting me up with meetings all over town. I’ve been wined and dined in Shoreditch, had coffee with the company behind Harry Potter and Gravity, seen the inside of the BBC in all it’s glory (and yes it’s exactly how they showed it in W1A) to meet execs at BBC Wales (Sherlock, Dr Who, Being Human, Life on Mars, Torchwood, Merlin, all fab) and a seriously switched on script editor at BBC Drama who was happy to talk 21st century geopolitics and socio-economic undercurrents in Britain, the idea being that it should be possible to make great period drama that can still resonate with a modern audience. ITV’s The Great Fire mirroring the London Riots, for example.

These meetings are known in the States as generals. Essentially they are first dates, both sides tentatively putting feelers out to see if there could be a potential working relationship in the offing. They talk about their ideas, I talk about mine and all things being well the door is left open for opportunities down the road. That’s largely what’s happened with the contacts my agent in the US helped me set up after I signed with him a year ago. My emails don’t go straight into Trash now. With one company based at Warner Bros I’m working on a film idea that they bounced off me, and with another company I’m working on a potential TV series which I pitched to them. You can’t be precious about material. The joy of the work is enough.

That being said, you have to make your own opportunities. To any young writers or general thespians I can heartily recommend Kenneth Branagh’s autobiography, Beginning, written when he was 28. By then he was starring in and directing Henry V, his first film, acted in many plays, written some and produced more, and still found time to eat, sleep and occasionally be merry. Greatly inspired, I did something I never thought I would do and wrote a one-man, one-act play for an actor friend, the dream being to put in on somewhere in London when his filming commitments allow. I had no idea how huge the task was of writing a play that could entertain an audience for nearly an hour using just the one actor. But, in much the same way that writing and directing a silent short film was pretty insane for a first attempt, anything else by comparison is a lot easier to write. Awaiting feedback from actor and producer…no rush guys!

And with said producer, this week we went to the town of my birth to talk the the son of an author. Coincidentally one of the author’s novels was turned into a film starring a certain Kenneth Branagh. Another novel was adapted into a play, the first play I was ever in, aged 7. We love this story and we desperately want to turn it into a film so we pitched heart and soul to the son and his wife in the hope that they will give us what they call an option on the rights, i.e. a spell to give us time to write a screenplay and then to find funding. Hopefully we should hear back in the next few days.

So being proactive and always generating new ideas, all the while trying to stay sane as the job hunt for the inevitable return to London continues, that’s the advice I’d give to any fellow scribblers out there hoping for their first big break. Some smart alec, and after a quick Google said smart alec turns out to be Seneca of all people, said: “he is lucky who understands that luck is the point where preparation meets opportunity”. You have to be ready to step up when those chances come along, often at the most unlikely times. Wish me luck!

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The Lonely Mountain

I was at a wedding on Saturday, in a lovely market town buried in the industrial East Midlands. To get my mountain fix I decided to go home the long way round on Sunday and set off in the opposite direction to Suffolk. My grandfather had lived in Foxt on the edge of the Peak District, and before plunging into the Peaks themselves I went to the top of The Casey, a mile or so from the village. I remembered that there was a grand view, but I couldn’t remember the view itself. To the North lay the Peaks, so far so good, but away to the south I saw this:

The Lonely MountainHopefully you can make out a lonely, conical hill. My first thought was how much it reminded me of the final moments of the first Hobbit film, when the company are dropped off by the eagles (better known as the Middle Earth taxi service) only to be greeted by this:

Erebor

Out came the map and the only hill I knew in that direction (and checking Google Maps this morning proved me right) was The Wrekin, a beautiful spot over fifty miles away in Shropshire and supposedly JRR Tolkien’s inspiration for Middle Earth. An hour and a half later my Dwarfish deja vu was complete when I made another memory lane stop at the Blue John cavern where they used to mine the stones to forge into expensive jewellery.

Now I’m back in Suffolk which like The Shire hasn’t exactly changed much over the years. Nor have the people (see below). But Bilbo was eleventy-one when he wrote of his adventures. I’m nearly twenty-five and still trying to fly the roost. Life’s great adventure needs to begin soon!

Suffolk folk

Suffolk folk

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What a week! 4 reasons to celebrate

Lots of great news to report:

1. After two months of interning at AGL Communications I have been offered some freelance work, both for the company and for its founder who has a really interesting and important project of his own. Went up to London on Wednesday for what can best be described as a working dinner with the great and the good, and in a very smart part of town. I like this sort of work!

2. My workaholic agent in the States, Joey, set me up with a couple of production companies out in LA so that we could chat about ideas, theirs and mine. I was asked to write a treatment, which is essentially a written pitch that covers everything a network wants to know about a series short of the actual scripts, i.e. characters, location, plot, the structure of the series, general feel of the piece, that sort of thing. Still waiting to hear back from one company but it seems the other really likes my treatment for their project and are taking it round the town right now.

3. I am happy to report that I have a new agent representing my screenwriting here in the UK. Her name is Sarah Williams, from Independent. Chuffed to bits that she wanted to take me on as a client. This is the same place that reps the likes of Daniel Craig, Rachel Weisz, Rickman, McKellen, Hopkins, Kingsley, Bonneville, Boyle, Venmore-Rowland….yes, I can see why publishers were keen for me not to use the whole name on covers of the books! Anyway, it’s fantastic news and once Sarah’s back from her holidays she’s going to spam the town and hopefully bug a few people into meeting me.

4. Lastly and not leastly, as they say in my part of Suffolk, Thursday May 22nd is publication day for the paperback of my second novel, the conclusion to the story begun in The Last Caesar. It’s called The Sword and the Throne. Hopefully like TLC’s paperback it should be available in places like Tesco (dirt cheap too!) as well as on Amazon. Or you can pre-order it for your Kindle for under a fiver right here.

For those of you who prefer to read an actual book, Transworld have come up with a smashing new cover for the paperback edition. Hope you like it. And please forgive me if your Facebook and Twitter feeds are clogged up with shameless self-promotion. Alas, writing is business these days, so do please help me spread the word.

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I can’t say too much…

Three months since my last blog-post is pretty useless of me, sorry! In my defence, I’ve been doing an internship up in London with a very cool company called AGL International. They help everyone from sixth-formers to FTSE 100 chairmen on authentic communication, narrative, speech writing, that sort of thing. Within days of starting, I was sharing a room with the founder and the head of a global film studio to write a speech on the state of the British film industry.

Various friends have very kindly been letting me stay on spare beds and sofa-beds, but after just a month in London I had to escape for a bit and took a train to the Chilterns for a five-hour walk. The soles of my feet are still complaining but the rest of me feels much better for it. I’m really not a city boy. Very happy to visit, but I get claustrophobic very quickly/

Exciting things are happening with the screenwriting, that’s my biggest news, but as the title suggests I can’t be too specific as things are at very early stages. My fantastic LA agents set me up a couple of weeks ago with the Head of TV at a production company, who are looking for a project for Hollywood star X, who has recently moved to Y and wants to film something locally, preferably set in Z period. I’ve been working on a pitch document and with another couple of tweaks we should have it ready to send to X’s agent and then it’s just a case of seeing if she bites. The same exec also wants me to pitch her other ideas so that we can work together in case X turns down that project, so I’ve also sent her a brief pitch for a long-running series set in the dawn of American history.

And just this week the agents set up a Skype session with another production company who’d read one of my scripts, liked what they saw (apparently), and have sent me a book they have the rights to about a conspiracy theory set just one year after the events of my Roman novels. They want a 3 episode miniseries and but I need to get my head round the idea first, so I’m using all my non-working hours for, you guessed it, more work. It’s great fun though, very exciting…I just need a mental breather!

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On the cusp…I hope

The trouble with writing in the commercial world, that is to say for anyone trying to make a living from writing rather than those who write purely for writing’s sake, is that you are always dependent on someone else for something to happen. Of course self-publishing does away with this problem, but to be a self-published author is to be not just a writer but a publicist, editor, businessman and author all wrapped into one, which I imagine leaves little time for actual writing!

On the other hand we are better off than say actors. During a hiatus writers can always write another spec script, but actors must either be working or at least auditioning, or he won’t be able to pay the bills. 2013 has been an odd year for me. My draft of The Sword and the Throne had been handed in and my editor and I had lunch in January to discuss ideas for a new series. The original idea that got me into writing seemed like a good starting point, and a couple of months later I had a few chapters written. I was quite happy with them, but not happy enough and nor was my agent, and I have come to the conclusion that I can do more justice to the story as a TV series or a feature film, so it was back to the drawing board.

The good news is that the next series proposal and sample chapters are winging their way to Transworld on Monday. Like the Roman novels the new series will be stuffed full of the old ‘kings and battles’ type stories, set during a civil war but with a more likeable hero this time. Now there is nothing more to do but sit back and hope the publishing gods smile upon my humble offering.

For the last few months I have put thoughts of novels aside, and have been cracking along with what I hope will be a parallel career in screenwriting. If you’ve read my blog before you’ll probably know that thanks to a friend (a “short-arse, cherub-faced actor” as I think I called him the other day), my gangland Glasgow feature script and a period drama TV pilot went to his Hollywood agent and I now have a team repping me in the States.

I have been in overdrive, writing three TV pilots in 6 weeks to try and build up a portfolio, and we’re now looking into optioning a book which I could adapt into a Brit-flick feature film. More astoundingly, that first TV pilot was inspired by a cracking film I saw as part of my A-level History course, and now the script has been sent to the director of that film. Surreal or what?

Long story short, I’ve got a few things that are slowly. slowly coming to the boil, but they’re all out of my hands now. Mildly frustrating of course, but there’s nothing I can do but sit down, churn out more material and wait for good or bad news. (Sigh) It’s a writer’s life for me…

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Another review for TLC

Review: The Last Caesar from Speesh Reads

Always flattering to be mentioned in the same breath as Harry Sidebottom and Angus Donald, maybe less so to be likened to a “wizened professor of Romeonology”, but I guess it’s meant as a compliment!

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Yabadabadoo!!

Good news…and it’s not the Dacia Sandero! Due in no small part to an actor friend of mine (he knows who he is), my screenplays have been passed around one of the top Hollywood agencies and it seems they like them. Cue several midnight phone calls, trying and failing to sound nonchalant and professional, not to mention trips to London to meet a few screenwriting agents to represent me here in the UK.

To top it off, had a delicious lunch with my editor yesterday and delighted to hear that he likes the opening chapters I’ve written for what could potentially be a new trilogy of books set in the Middle Ages, based very, very loosely on what the Venmores were up to back in ye olden times. All that’s needed now is an extra polish of my outline for the series and my new hero, a fair wind, and if any of you would care to send begging letters to the publishers demanding the next V-R novel, that would be very welcome too!

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An interview and a library event

First of all, apologies for not writing a post sooner. I’ve have been beavering away with a couple of things that don’t quite count as official news. Both my agent and editor are currently recovering from the epic Frankfurt Book Fair and I hope to be meeting them shortly to discuss a potential new series. On the screenwriting front I’m awaiting a contract from an LA lawyer that will help the rising star actor/exec producer and me to get things moving on our project. I will be the first to shout the good news from the rooftops when there is something worth announcing!

Second, I will be joining the delightful Ruth Downie tomorrow evening (Wednesday 16th) at the library of Barton-le-Clay, Bedfordshire for a Q&A session on ‘Writing the Romans’. The event starts at 7, and tickets will be £1.50 on the door (not, I hasten to add, that a penny will be going to Ruth or me, but to help keep libraries open). Do pop along if you’re in the neighbourhood, or even if you’re not in the neighbourhood…

Finally, here is a link to an interview I did for Jasper at The Book Plank, who has been kind enough to give me two cracking reviews in quick succession: http://thebookplank.blogspot.co.uk/2013/10/author-interview-with-henry-venmore.html

In it we discuss everything from Caecina’s motivation to possible future books, from Tolkien to Kevin Spacey. Enjoy!

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Writing In A New Period Of History As A Historical Novelist, by Henry Venmore-Rowland (guest article)

Henry V-R:

Here’s a piece I wrote for the excellent Writing Historical Novels blog:

Originally posted on Writing Historical Novels:

I was described by one of my teachers as an intellectual butterfly, flitting from one pretty flower to the next. This is not to be encouraged in a historian. Thankfully my degree was in Ancient & Modern History, allowing me to write papers in anything and everything, from Alexander the Great to the rise of nationalism in 19th century Europe, the American Civil War to the Year of the Four Emperors and any number of things in between. It’s fair to say then that I am a generalist, not a specialist.

However, aside from writing a cracking good yarn, the thing that readers of historical fiction crave the most (judging from the legions of Amazon reviewers out there) is authenticity. Reading the newspapers sometimes you would be forgiven for thinking the authenticity comes first. I admit I’ve only seen half an episode of The White Queen, but most of the…

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Here’s a film what I wrote

Regular readers will know that I’ve often mentioned the short film that I made a couple of months ago. I am pleased to announce that after some editing and help from Transworld in fixing my hard drive that I can at last show the film to the world. Alright, perhaps not the world but at least to those of you who’d like to have a look:

https://vimeo.com/71134270

The film is called Once Upon a Time in Minchinhampton. With the help of the DOP Danny Cotton we shot the film in one day, in the sleepy village of Ilketshall St. Margaret with two professional actors and a some volunteers from the village, thanks especially go to the Hooper family and to my parents for never losing their cool during a very hectic weekend!

Hope you enjoy the film, and please do pass it on to anyone and everyone. It’s not quite Sergio Leone, but I think it’s rather fun…

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